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          When the TV show Glee first premiered in the spring 2009, it quickly became a family favourite in my household.  But it wasn’t just my household. Glee-mania swept the nation, to the point that I distinctly remember the outrage when an episode didn’t air due to the Superbowl. I was in the eighth grade when the show first started airing, and I was immediately captivated by the diversity of the cast and plot. The very original glee club was comprised of an Asian girl with a stutter, a black girl, a gay boy, a boy in a wheelchair, a Jewish girl with two dads, and your average white football playing boy. I believe this is why the show gained as much traction as quickly as it did.  Everyone who watched could see themselves in the characters. Over the years, the show touched on a lot of topics that made it even more relatable to its viewers. It’s been nearly a decade since the show re-popularized Don’t Stop Believing, but the hype for the show has been gone longer than is has been off the air.  It became apparent early on that while the show promoted acceptance of all, it preached a “do as I say and not as I do” mentality when depicting disability. The most obvious example of this would be the character of Artie – a wheelchair using student – played by Kevin McHale – an able bodied actor. Or the character of Becky, a cheerleader with Downs Syndrome, played by Lauren Potter, who was written to be the generally mean and unlikable minion of the shows main villain, Sue Sylvester.  Both of these characters drew complaints about the way they portray the disabled community while the show was still on TV, and there’s a million and one articles and blog posts already written that go into great detail about how damaging they really are. I do not want to rehash every argument that has already been made about these characters. Instead, I want to dive a little deeper into a season three plot arch which paints disability in a much worse light.

          In the last moments of the season three episode, On My Way, character Quinn Fabray is hit by a truck while texting and driving. Over the next five episodes, Glee pushes the narrative that becoming disabled is punishment for doing something wrong, like texting and driving. The way that Quinn’s character was written over this five-episode arch reinforces the prevalent notion that becoming paralyzed is the end of a person’s life, and that they can never be happy unless they are able to walk again.

          When Quinn returns back to school after her accident, she tells Rachel and Finn that she is grateful to be alive and that it’s the happiest day of her life.  She then immediately starts a performance of Elton John’s I’m Still Standing, which always I always felt to be in bad taste. I think the intention was to prove that she’s still strong, but when she concludes with the message, “Don’t text and drive. Ever. It’s the stupidest thing I’ve ever done” (Big Brother) and then goes on to state that she stands a chance at a “full recovery”, it’s clear that this arch isn’t about showing how you can still live a full life while being disabled, but is instead just about showing Quinn how shitty life can be before she gets to walk again.  These few lines made me suspect that Glee does not want to depict becoming disabled as anything other than a punishment. This theory was solidified for me when Quinn gets offended when Artie suggests she might have to reevaluate her plans, shouting “I’m not like you. This isn’t my life” (Big Brother).

          By episode seventeen, Quinn is telling her friends in the girl’s bathroom that she will never be able to find love again because she’s in a wheelchair, stating “[he’s] not into me. Who would be?” (Dance with Somebody). At the end of the episode we find out that her love struggles are more related to her love interest’s religion than her wheelchair, but the prior disdain for her “gross wheelchair” (Dance with Somebody) shows that Quinn does not believe that a person can be attractive if they are in a wheelchair.

          All this being said, you could argue that Quinn is just a teenager whose life has been turned totally upside down by a tragic accident and she’s coping as best as she can. I would also agree, if not for the events of episode nineteen. A mere five episodes after Quinn becomes paralyzed, she takes her first steps in physical therapy (Prom-asuarus). Great! Quinn was right all along and her time in a wheelchair was just temporary. While this alone is a troublesome narrative to push – that as long as you work really hard, all disability is temporary – the worst is yet to come. Concerned that she might not win Prom Queen like she’s always dreamed of, Quinn waits to tell anyone about her walking. She decides to use her accident as a way to win sympathy votes. Again, troubling, because it implies that not only should others feel bad for those with disabilities because they have a disability, but they should also give them things undeserved. Again, this is solidified when Quinn actually wins the crown.

          When Glee was still on TV, I watched every week. It was one of my favourite shows. I even re-watched all six seasons recently, because I remembered liking it so much.  It was fascinating to see how much of the show I would have applauded for being influential and inclusive when I was 13 years old, only to see it as an adult and get angry at the representation.  A lot of people have a lot of issues with Glee, and for good reason. Not only has the show aged poorly, but it’s representation was poor to begin with. Quinn was put in a wheelchair so the show could push an anti-texting and driving campaign, plain and simple. She did something wrong and she was sentenced to five episodes in the chair. The show was trying to say, “don’t text while you drive. Look what could happen if you do”.  But then, instead of sticking to their guns, and keeping her in the wheelchair, to show the honest reality that a wheelchair is not a death sentence, they let her walk, literally and figuratively. But not before she outright disparaged life in a wheelchair to millions of viewers all over the world. Glee does not represent disability; it represents bodily punishment.

Barclay, P. (Director). (2012, April 24). Dance with Somebody [Television series episode]. In Glee. Fox.

Buecker, B. (Director). (2012, February 21). On My Way [Television series episode]. In Glee. Fox.

Glee – Push It [Digital image]. (n.d.). Retrieved from https://s1.ibtimes.com/sites/www.ibtimes.com/files/styles/embed/public/2018/01/17/where-glee-cast-now-2018.jpg

Glee Series Finale [Digital image]. (n.d.). Retrieved from https://vignette.wikia.nocookie.net/glee/image/2/26/Tumblr_nlmdou9Qak1s57bimo1_1280.jpg/revision/latest?cb=20150322154823

Quinn and Artie [Digital image]. (n.d.). Retrieved from http://3.bp.blogspot.com/-lH-evLvex1o/T4jZyHMU1jI/AAAAAAAAAPw/xHjrSCiykQo/s1600/tumblr_m2f196869w1qfyijao1_1280.jpg

Quinn and Joe [Digital image]. (n.d.). Retrieved from http://3.bp.blogspot.com/-Ihi1i-KlgX4/UemJPThVs-I/AAAAAAAAD8Q/Tkowd8r4rQo/s1600/1391.jpg

Quinn at Prom [Digital image]. (n.d.). Retrieved from https://www.mjsbigblog.com/myphotos/gallery/glee-prom-a-saurus/319gle_319_sc43_3472.jpg

Stoltz, E. (Director). (2012, April 10). Big Brother [Television series episode]. In Glee. Fox.

Stoltz, E. (Director). (2012, May 8). Prom-asaurus [Television series episode]. In Glee. Fox.

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